メインコンテンツにスキップ

Four butterflies

ネオトラディショナル白黒2026年1月20日
AIで生成したFour butterfliesのタトゥーデザイン
AI生成タトゥー

プロンプト

four butterflies. they come to my arm in order from largest to smallest. the largest butterfly has the year number 2010 inside its wing, the next butterfly has the year number 2020 inside its wing, the next butterfly has the year number 2022 inside its wing, and the next butterfly has the year number 2025 inside its wing.

このプロンプトと同じ設定(ネオトラディショナル · 白黒)でAIタトゥージェネレーターを開きます。

デザイン詳細

種類
白黒
クリエイター
Alina
作成日

ネオトラディショナルのタトゥーデザインをもっと見る

あなたにおすすめ

Create a tattoo with a god shiva with 3 angels pulling  me to save me but i am not willing to leave that thing thats hurting meI am a first born son who had everything in life except love and everytime I loved i gave more than necessary leading to more pain as I never received any, then I found my wife , who I thought would change that, but indeed it turned out much worse , God gave me many signs saying this is not the right person , but I caught hold of my stupid fate too tight ,I am not able to leave those barbed wire and thorns

Create A Tattoo With A God Shiva With 3 Angels Pulling Me To Save Me But I Am Not Willing To Leave That Thing Thats Hurting Mei Am A First Born Son Who Had Everything In Life Except Love And Everytime I Loved I Gave More Than Necessary Leading To More Pain As I Never Received Any, Then I Found My Wife , Who I Thought Would Change That, But Indeed It Turned Out Much Worse , God Gave Me Many Signs Saying This Is Not The Right Person , But I Caught Hold Of My Stupid Fate Too Tight ,i Am Not Able To Leave Those Barbed Wire And Thorns

詳細を見る
Full blackout tattoo covering both hands up to the first knuckle of each finger. The top of each hand is fully covered in solid black ink, with the design seamlessly incorporated into the blackout—not sitting on top. Left hand: abstract industrial design built into the blackout, with layered metallic shapes, angular shards, and negative space suggesting motion and pressure. This abstract form flows naturally up the forearm, extending the design with interlocked mechanical elements and weathered steel textures. Right hand: blackout-integrated sundial design, with a sharp gnomon pointing to 7:07 a.m., built into the negative space of the blackout. The sundial stretches into the forearm with abstract sunbeam lines, worn metal arcs, and mechanical detailing. Monochrome only, black and gray ink, with realistic metallic shading and clean fade transitions above each wrist.

Full Blackout Tattoo Covering Both Hands Up To The First Knuckle Of Each Finger. The Top Of Each Hand Is Fully Covered In Solid Black Ink, With The Design Seamlessly Incorporated Into The Blackout—not Sitting On Top. Left Hand: Abstract Industrial Design Built Into The Blackout, With Layered Metallic Shapes, Angular Shards, And Negative Space Suggesting Motion And Pressure. This Abstract Form Flows Naturally Up The Forearm, Extending The Design With Interlocked Mechanical Elements And Weathered Steel Textures. Right Hand: Blackout-integrated Sundial Design, With A Sharp Gnomon Pointing To 7:07 A.m., Built Into The Negative Space Of The Blackout. The Sundial Stretches Into The Forearm With Abstract Sunbeam Lines, Worn Metal Arcs, And Mechanical Detailing. Monochrome Only, Black And Gray Ink, With Realistic Metallic Shading And Clean Fade Transitions Above Each Wrist.

詳細を見る