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2009 style tatto of a Celtics croos

ネオトラディショナル白黒2026年1月20日
AIで生成した2009 style tatto of a Celtics croosのタトゥーデザイン
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2009 style tatto of a Celtics croos

このプロンプトと同じ設定(ネオトラディショナル · 白黒)でAIタトゥージェネレーターを開きます。

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種類
白黒
クリエイター
非公開
作成日

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Leg sleeve tattoo design with on the upper part of the legs and image of tifa lockhart, Harley Quinn, catwoman and yennifer on their knees with their hands bound behind them.

Then on the lower part of the leg a design for ssb vegeta with his arms crossed from the waist up, Kakashi upper body revealing his sarengan, sung jinwoo baring both his daggers, natsu upper body with the flame words come on like in the anime, Raphael upper body in a more darker tone with both sais, redhood in his new 52 style with just his upper half brandishing both his revolvers, new 52 deathstroke holding his Watanabe and Wolverine in his traditional suit with both set of claws out but from the waist up.

All in black amd grey wash with only hints of colour vegetas blue hair, Kakashi's eye, wolverines eyes and a hint of colour on his suit, sung jinwoos eyes and blades, raphels bandana/mask, Deathstrokes helmet, redhoods symbol, the flame on natsu fingers.

Leg Sleeve Tattoo Design With On The Upper Part Of The Legs And Image Of Tifa Lockhart, Harley Quinn, Catwoman And Yennifer On Their Knees With Their Hands Bound Behind Them. then On The Lower Part Of The Leg A Design For Ssb Vegeta With His Arms Crossed From The Waist Up, Kakashi Upper Body Revealing His Sarengan, Sung Jinwoo Baring Both His Daggers, Natsu Upper Body With The Flame Words Come On Like In The Anime, Raphael Upper Body In A More Darker Tone With Both Sais, Redhood In His New 52 Style With Just His Upper Half Brandishing Both His Revolvers, New 52 Deathstroke Holding His Watanabe And Wolverine In His Traditional Suit With Both Set Of Claws Out But From The Waist Up. all In Black Amd Grey Wash With Only Hints Of Colour Vegetas Blue Hair, Kakashi's Eye, Wolverines Eyes And A Hint Of Colour On His Suit, Sung Jinwoos Eyes And Blades, Raphels Bandana/mask, Deathstrokes Helmet, Redhoods Symbol, The Flame On Natsu Fingers.

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Upper-back and neck tattoo design, with the entire lower back intentionally left bare and untouched. Black ink only, no color, realistic tattoo style. A dense, compact organic mass concentrated in the upper back and extending onto the neck. This mass is the visual and motional focal point, meant to draw the eye first despite not being the largest shape. Deep, twisting organic roots, realistically rendered, emerging from within the body as if from a great depth. The roots push and strain against restraints, deforming and bending them, with a few sharp root tips piercing through and breaking free at scattered points along the edges of the mass. Thick ropes and surgical-style stitches/sutures, combined together in the same area, wound tightly around the roots, realistic rope texture and stitched wound texture, visible tension between rope and root. One single continuous rope strand morphs gradually along its length through five distinct textures or motifs, one flowing into the next without breaks: skateboarding, snowboarding, surfing, music, and cosmos/astrophysics/stars — this rope is part of the containment, not part of the breaking-free roots.
Roots and root-tips break irregularly and asymmetrically beyond the compact mass, uneven organic edges, no symmetry, unpredictable spread. Positioned with no visual connection to the root/rope mass, an incomplete constellation of Cygnus (the Swan), placed asymmetrically and off-center — partly on the neck, shifted to one side rather than centered. A mix of isolated unconnected star points and connecting lines that break off mid-stroke. The stars themselves are NOT round or soft — render each star as a sharp, jagged shard or crack, like shattered glass, harsh angular broken shapes, high contrast, aggressive linework, contrasting with the organic realism of the roots.
The text "Ad Astra per Aspera" in fine, thin, elegant typography, positioned close to the Cygnus constellation but not overlapping or merging with its lines

Upper-back And Neck Tattoo Design, With The Entire Lower Back Intentionally Left Bare And Untouched. Black Ink Only, No Color, Realistic Tattoo Style. A Dense, Compact Organic Mass Concentrated In The Upper Back And Extending Onto The Neck. This Mass Is The Visual And Motional Focal Point, Meant To Draw The Eye First Despite Not Being The Largest Shape. Deep, Twisting Organic Roots, Realistically Rendered, Emerging From Within The Body As If From A Great Depth. The Roots Push And Strain Against Restraints, Deforming And Bending Them, With A Few Sharp Root Tips Piercing Through And Breaking Free At Scattered Points Along The Edges Of The Mass. Thick Ropes And Surgical-style Stitches/sutures, Combined Together In The Same Area, Wound Tightly Around The Roots, Realistic Rope Texture And Stitched Wound Texture, Visible Tension Between Rope And Root. One Single Continuous Rope Strand Morphs Gradually Along Its Length Through Five Distinct Textures Or Motifs, One Flowing Into The Next Without Breaks: Skateboarding, Snowboarding, Surfing, Music, And Cosmos/astrophysics/stars — This Rope Is Part Of The Containment, Not Part Of The Breaking-free Roots. roots And Root-tips Break Irregularly And Asymmetrically Beyond The Compact Mass, Uneven Organic Edges, No Symmetry, Unpredictable Spread. Positioned With No Visual Connection To The Root/rope Mass, An Incomplete Constellation Of Cygnus (the Swan), Placed Asymmetrically And Off-center — Partly On The Neck, Shifted To One Side Rather Than Centered. A Mix Of Isolated Unconnected Star Points And Connecting Lines That Break Off Mid-stroke. The Stars Themselves Are Not Round Or Soft — Render Each Star As A Sharp, Jagged Shard Or Crack, Like Shattered Glass, Harsh Angular Broken Shapes, High Contrast, Aggressive Linework, Contrasting With The Organic Realism Of The Roots. the Text "ad Astra Per Aspera" In Fine, Thin, Elegant Typography, Positioned Close To The Cygnus Constellation But Not Overlapping Or Merging With Its Lines

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Full-body barred owl, vertical composition. Rounded head with no ear tufts, large dark soulful eyes, hooked beak, and the owl's signature barred plumage — horizontal bars across the chest transitioning to vertical streaks down the belly, all in fine-line feather detail with rich shading. The lower body dissolves into a double-exposure wilderness scene: a glowing full moon, silhouetted birds in flight, layered mountain peaks, dense pine forest framing both sides, and a winding river with rocks at the base. Dark, majestic, gothic naturalist mood.

Full-body Barred Owl, Vertical Composition. Rounded Head With No Ear Tufts, Large Dark Soulful Eyes, Hooked Beak, And The Owl's Signature Barred Plumage — Horizontal Bars Across The Chest Transitioning To Vertical Streaks Down The Belly, All In Fine-line Feather Detail With Rich Shading. The Lower Body Dissolves Into A Double-exposure Wilderness Scene: A Glowing Full Moon, Silhouetted Birds In Flight, Layered Mountain Peaks, Dense Pine Forest Framing Both Sides, And A Winding River With Rocks At The Base. Dark, Majestic, Gothic Naturalist Mood.

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Demon head in background yelling. Skeleton in the foreground wearing a black long sleeve shirt, black forward facing ball cap, black rim eye glasses, short black beard and goatee. Skeleton is embracing a young boy. Boy has blue hoodie with hood over his head. Boy's back is facing the camera being embraced by the skeleton. The words "Break the Cycle" at the bottom in a gothic style text.

Demon Head In Background Yelling. Skeleton In The Foreground Wearing A Black Long Sleeve Shirt, Black Forward Facing Ball Cap, Black Rim Eye Glasses, Short Black Beard And Goatee. Skeleton Is Embracing A Young Boy. Boy Has Blue Hoodie With Hood Over His Head. Boy's Back Is Facing The Camera Being Embraced By The Skeleton. The Words "break The Cycle" At The Bottom In A Gothic Style Text.

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