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Fyrnes in a banner across the middle, fern leaves, 3 tiny…

texte et lettrageNoir et blanc26 septembre 2025
Design de tatouage Fyrnes in a banner across the middle, fern leaves, 3 tiny… généré par IA
Tatouage généré par IA

Prompt

"Fyrnes" in a banner across the middle, fern leaves, 3 tiny quartz, some wildflowers, empty banner aross the middle.

Ouvre le générateur de tatouages IA avec ce prompt et les mêmes réglages : texte et lettrage · Noir et blanc.

Détails du design

Type
Noir et blanc
Créateur
Isabel
Date de création

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Black & grey full sleeve tattoo, Japanese yōkai narrative from shoulder to wrist: upper sleeve protective and quiet (zashiki-warashi, kodama spirits in trees, calm kitsune), subtle background motifs of torn shōji with mokumokuren eyes; transition with nurarihyon as an intruding presence in smoke; mid-sleeve conflict around elbow with dynamic bakeneko and kage-onna shadow on shōji; lower sleeve darker and heavier with large nekomata (forked tail flow lines), ubume carrying a bundle fading into mist, and near wrist minimal onryō + goryō vengeful spirits, optional faint jikininki silhouette. Background flows forest→mist→night with cracks like aged lacquer/ceramic, strong use of negative space, increasing contrast downward, no cartoon style, no color.

Black & Grey Full Sleeve Tattoo, Japanese Yōkai Narrative From Shoulder To Wrist: Upper Sleeve Protective And Quiet (zashiki-warashi, Kodama Spirits In Trees, Calm Kitsune), Subtle Background Motifs Of Torn Shōji With Mokumokuren Eyes; Transition With Nurarihyon As An Intruding Presence In Smoke; Mid-sleeve Conflict Around Elbow With Dynamic Bakeneko And Kage-onna Shadow On Shōji; Lower Sleeve Darker And Heavier With Large Nekomata (forked Tail Flow Lines), Ubume Carrying A Bundle Fading Into Mist, And Near Wrist Minimal Onryō + Goryō Vengeful Spirits, Optional Faint Jikininki Silhouette. Background Flows Forest→mist→night With Cracks Like Aged Lacquer/ceramic, Strong Use Of Negative Space, Increasing Contrast Downward, No Cartoon Style, No Color.

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